Frau Friedl deserves so much more than the few chapters in which she appears in Diamonds in Auschwitz. Unlike many of the artists in Terezin who were afraid to draw the true conditions and afraid to sign their name to anything incriminating, Frau Friedl encouraged the children to draw what they saw, what they felt, what they dreamed of. Four years later, she smuggled over 4,500 drawings in two suitcases out of the camp.